Blame it on the printing press.
When the ideas, beliefs, and stories of our major religions were first written down, they lost a certain flexibility. But with the advent of the printing press, I believe these texts became even less adaptive. Though changes–-often significant changes–-could be made in the texts, though the texts could still evolve, they evolved more slowly. Thus, the religions guided by these texts have had difficulty in responding to the needs of our modern times.
Even if you disagree with this notion, I think you would still have to admit that our religious texts have trouble competing with other sources of information now available to us…
…have trouble competing with movies, with television, with novels, with the print journalism of books, magazines, and newspapers, with recorded music and concerts, with the many varieties of visual art, as well as with the multitudinous offerings of the internet.
Those sources provide us with stories, with ideas and artistic expressions, that to one degree or another, we find meaningful. Though most households in America probably have a Bible on the shelf, that Bible usually stays on the shelf.
That’s not to say that what flows from these other sources has replaced the Bible—or any other religious text. On the other hand…
…whether they consciously intend to or not, these media messengers try to interpret the world for us, try to direct our attention to what they believe is most important, try to tell us what our individual and collective aspirations should be, try to provide us with guidance.
There is much dross in this activity, but also many diamonds. A messenger can open us to the wonder of the Universe. A messenger may prompt us to listen to our depths. Even the most dubious of our messengers may echo a refrain found in all major religions.
On the other hand…
…a billion instruments, playing all at once, don’t constitute a symphony. A symphony consists of many instruments playing different parts, yet joining together to create a unified work.
A new mythology would be a means of listening to all the instruments and finding the symphony in what sounds like a cacophony. A new mythology would be a tool that anyone could use to find unity in what seems disparate.
A new mythology would also help us hear can not be heard. The conductor does not play an instrument, but is heard—is known—through the instruments that produce the symphony. Our new mythology, in helping us to hear the harmony coming from all the instruments, would allow us to know the silent conductor.
Something within my being prefers harmony over disharmony. Something within my being struggles toward harmony–-though I often seem to produce its opposite.
I believe our new mythology will be a natural occurrence–-the result of our efforts, our desire, to create harmony. In striving to create harmony, we will discover the harmony that already exists.
© 2010, Michael R. Patton



